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ANIMOS Studio
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With the financial support of the Ministry
of Culture of the Russian Federation
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Russian Classics for Children
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Sasha Chorny (1880-1932)
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The Girl Lucy and Grandpa Krylov
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Paris, 1926
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Charlie, don't wake me up!
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Oh, Charlie!
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Charlie, Charlie,
the lights are burning!
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Charlie, Charlie,
Paris is alive with noise!
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I.A. Krylov
FABLES
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You're Krylov!
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That is correct. By your leave.
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Right... right...
that's not it... no...
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I'm Lucy.
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Lucy? That is, Ludmila Ruslanovna?
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By no means!
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But your fables are beautiful.
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Thank you, thank you.
I am much obliged.
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There's no need for that.
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Instead, you would do well to ponder
more over your wonderful creations.
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Even the best of them.
For instance, you may say:
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"The Dragonfly and the Ant"...
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Excuse me, did I say anything, miss?
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Let us see.
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What is it that you so
dislike in my creations?
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That's my dolly Kate. She loves to drink
tea in the theatre at nights.
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But that's not what we're discussing!
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Now... just a moment... now...
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Look, just look at what's
going to happen now!
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What else can happen here, Lucy?
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She sang and danced
all summer long.
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And only now has she stopped to think...
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She never did prepare for winter,
poor thing.
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So, Ant is the good one?
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He is! He's a hard worker.
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See, he's fixing up a
sixth boot for himself.
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Don't abandon me, friend cherished!
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I'll bounce back; don't let me perish.
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Give me shelter, food, and drink
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For a half-year, till the Spring.
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You've been gaily
Singing daily;
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Now, you'll have your chance
To dance. A-ha-ha-ha-ha!
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You see!
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He looks nice, but it turns out
he's not so nice after all.
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Take me: I'll grow up,
become a ballerina...
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And then what? Should I also suffer?
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Well, that is...
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But what should I do, Lucy?
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Give me the drawstring.
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That's how it should be.
- Is it?
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Yes! Yes, yes. Only like this!
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And everything will be
nice and joyful!...
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A lively dance in Paris ought
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Not be cotillion, nor gavotte,
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But be this dance of urban streets
beneath roofs sparkling and free.
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Dance, all Paris!
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But be this dance, this dance, this
dance of moonlit roofs free,
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Dance, all Paris!
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Lucy, Lucy, where's the moral?
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There is no fable without a moral.
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Moral, moral, moral...
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The moral's simple - there are evil ants.
But it's better when they're good.
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What an extraordinarily
smart girl you are.
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So, why are you living in Paris?
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Well, you probably know...
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There was a revolution in Russia,
- Is that so...
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- Dad and mom fled from there...
- Ah...
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Why, do you live there?
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Mostly there.
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I have friends there. Say, Pushkin,
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Nikolai Vasilyevich Gogol...
lots of them.
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Now, Aleksandr Sergeyevich Pushkin
praised my fables a lot.
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Well, he also has peculiarities...
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- Pushkin does?
- Yes.
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Yes. For example...
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Clouds are surging,
clouds are swerving;
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Indiscernible, the moon
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Lights the snowstorm madly swirling;
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Sky's all darkness, night's all gloom.
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How did he see all that
if "the night's all gloom"?!
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Oh, dear, I should ask him...
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I'll ask.
I will most certainly ask him.
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But "Ruslan and Ludmila" is wonderful!
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And which of my works do you like?
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Everything!
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Oh, dearie me. Oh, dearie me!
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Look.
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Hey tell, old man,
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had we a cause
When Moscow, razed by fire, once was
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Given up to Frenchman's blow?
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Just what are you trying to pull here?!
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That is Lermontov!
Lermontov wrote that.
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It is called "Borodino".
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It's about the Russian-French war.
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Frenchmen wouldn't be glad
to hear it,
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and you live in Paris!
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Confused. Confused, what can I say!
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That was just Kate fooling around.
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If she's fooling around, then hang her!
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In China we do five at a time...
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I learned Russian only
when you read me fables aloud...
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We in China honour elders...
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but you teach him how to write fables.
You're a bad girl.
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Quiet! Why do you pick on the girl?
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I will send you back to China,
you registered parcel!
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Oh, don't do it.
Don't do it, grandpa!
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I love her very much!
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"Love"... heh, you love everyone...
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Let me, let me rather
read you something else...
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Well, actually... I have to get going.
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Wait. Wait.
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Here. Look.
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What is this thing?
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Is it for grinding coffee?
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The fable "The Dragonfly and the Ant"
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Once, a playful Dragonfly
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Spent all summer gaily singing;
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...ly singing ...ly singing
...ly singing...
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Oh no, it's stuck... but it can go on.
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This is a gramophone.
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What a thing!
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What a fine thing!
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Aleksandr Sergeyevich
would have likely...
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laughed himself silly!...
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You know what, take it.
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That's for you, from us.
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For you and all Russian literature.
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He forgot it.
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Ivan Andreyevich, you forgot,
you forgot!...
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I won't give this away.
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screenwriter
Vladimir Golovanov
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director-producer
Mariya Muat
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art director
Marina Kurchevskaya
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camera
Aleksandr Betev, Aleksandr Chehovskiy
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composer
Igor Nazaruk
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animators Milana Fedoseyeva,
Tatyana Molodova, Alla Solovyova
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sound
Viktor Brus
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voice actors
Polina Kutepova, Oleg Tabakov
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assistant art director Olga Usachyova
computer processing Vladimir Manevich
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puppets & decor Gennadiy Bogachyov,
Mihail Koltunov, Yelena Pokrovskaya,
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Nikolay Zaklyakov, Vladimir Shafranyuk,
Viktor Grishik, Nina Vinogradova,
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Galina Kruglova, Viktor Piunov,
Vladimir Maslov
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montage
Lyudmila Kopteva, Sergey Krotenko
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colour correction
Galina Taramonova
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production director Vladdimir Gassiyev
script editor Galina Dyakiyeva
executive producer Anna Dzhioyeva
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artistic supervisor of the studio
Natalya Orlova
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producer
Tengiz Semyonov
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THE END
(c) Animos. Moscow, 2003.
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Subs by Niffiwan
2026.08 Animatsiya.net
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Pushkin's "Devils" tr. by Yuri Menis,
Lermontov's "Borodino" tr. Peter Solovioff,
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Krylov's "Dragonfly and Ant"
tr. by Niffiwan & Vladimir Gurvich